Tripping the Light Fantastic – Peter Hook and the Light, Oxford 2nd June 2012
June 3, 2012
Watching the two halves of New Order (well the 3/4 and 1/4) tear themselves apart has been painful for lifelong fans. And now with both factions touring, colours need to be nailed to masts. I’m firmly in the Hooky corner – seeing ‘New Order’ without his lo-slung bass dominating left of stage is something I just couldn’t stomach.
But I was still wary of what was billed as ‘a celebration of Joy Division’ fearing at worst a bad tribute act. I needn’t have worried. I always suspected that PH was closer to the spirit of Joy Division than the rest of New Order, and the passion displayed in tonight’s performance bore this out. There was none of Barney’s flippancy, screwed up lyrics,bum notes and drunken uncle at a wedding dancing. Hooky played it with heart and soul.
The set began (at a ridiculously early 8.20 – what is it with gigs these days) with a couple of Warsaw songs, moved up a gear with Glass and Digital then the band performed the whole of Unknown Pleasures in album track order. I got my first neck shivers of the night at the intro to Disorder. The ‘big’ tracks – New Dawn Fades; She’s Lost Control; Shadowplay were huge – the two battling bases were so loud on Shadowplay I thought I was going to have a nosebleed. Even the ‘down’ tracks on the album (the ones I usually skip on the ipod these less angst filled days) didn’t drag like I thought they might.
The band he’s put together are so tight – his son Jack is a dextrous bassist in his dad’s mould; the guitarist was awesome and the drumming was as crisp and powerful as Steve Morris’. They made me realise how truly awesome New Order could have been live if they hadn’t pissed around (and they were mostly pissed) with half hour sets, bum notes, no encores and general ‘couldn’t give a toss attitude’. Hooky and his band play these songs with passion, treating them with the respect they know they deserve and the reverence they know the audience holds them in.
The first encore raised the tempo and temperature with an anthemic Transmission; a pounding Isolation; a hypnotic Dead Souls and a beautiful version of Decades – with Hooky even taking up the melodica for the final haunting refrain. The final encore began with Warsaw – reminding us on Jubilee day that Joy Division started out as a punk band – before bringing old men to tears with Love Will Tear Us Apart. But that wasn’t the end. as if to remind us that the New Order legacy is also his legacy he finished the set with probably the best live version of Ceremony I’ve ever heard.
The night brought more joy to a room full of ageing men than a hooker in an old folk’s home.